Britney Spears sells song catalog to publisher Primary Wave
Britney Spears, 44, has sold her music catalogue to music publisher Primary Wave, according to reports surfacing on Tuesday, February 10, 2026. The sale includes ownership of hits such as “Toxic” and “Baby One More Time,” as first reported by TMZ, citing legal documents dated December.
A Significant Shift in Ownership
Primary Wave already holds the catalogues of numerous music icons, including Bob Marley, Stevie Nicks, Prince, and Whitney Houston. This acquisition adds Spears’ extensive collection of hits to their portfolio. The details of the financial agreement have not been disclosed.
Spears’ discography is credited with defining pop music at the turn of the millennium. Following a period of relative quiet, she released the collaborative track “Hold Me Closer” with Elton John in 2022 and “Mind Your Business” with Black Eyed Peas rapper Will.i.am in 2023.
Future Performances in Question
The news of the catalogue sale follows Spears’ recent announcement that she will no longer perform in the United States. She cited “extremely sensitive reasons” for this decision, expressing a desire to potentially perform in the UK and Australia with her son in the future. She last toured the nation in 2018.
Spears shares two sons, Sean, 20, and Jayden, 19, with ex-husband Kevin Federline, who recently published a memoir titled “You Thought You Knew” detailing their marriage and subsequent divorce.
Frequently Asked Questions
What did Britney Spears sell?
Britney Spears sold her music catalogue, which includes hits like “Toxic” and “Baby One More Time,” to music publisher Primary Wave.
Who else does Primary Wave represent?
Primary Wave owns the catalogues of music legends including Bob Marley, Stevie Nicks, Prince, and Whitney Houston.
Has Britney Spears indicated whether she will continue to make music?
Britney Spears has stated she will not perform in the U.S. Again, but has expressed hope for future performances in the UK, and Australia.
As music rights continue to shift hands, what impact will this have on the future of pop music and the artists who create it?