Call me, CMAT. Let’s write a song about my public transport plight – The Irish Times
Last weekend, 20,000 fans gathered at St Anne’s Park in Dublin for a sold-out performance by Ciara Mary-Alice Thompson, better known as CMAT. The atmosphere was one of profound collective support, underscoring the singer’s deep connection with an audience that clearly identifies with her artistry and cultural commentary.
The concert took place against a backdrop of personal controversy for the artist. CMAT had recently been the subject of a discussion on RTÉ Radio 1’s Liveline, prompted by her public statements regarding how negative commentary about her body has impacted her professional success.
The Significance of the “Dunboyne Diana”
The adoration displayed by the crowd in Raheny highlighted the unique place CMAT occupies in modern Irish culture. Fans have embraced her as the “Dunboyne Diana,” a moniker that reflects both her star power and the intense, camp-adjacent devotion she inspires in her followers.

Her latest album, Euro-Country, serves as more than just a musical collection; it acts as a love letter to Ireland while simultaneously offering biting criticism of the economic and cultural forces that have shaped the country in the post-recession era. Her ability to channel these frustrations into anthems for young women has solidified her role as a voice for a generation.
Infrastructure Challenges and Future Implications
The concert experience was marred for many by significant failures in public transport infrastructure. Despite pleas from promoters to use public transport, attendees faced a lack of city-centre services, non-existent taxi availability, and a failure of the bus system to accommodate the crowds. For many, the night ended in a long, rain-soaked walk home.
Moving forward, this event may serve as a catalyst for a broader conversation regarding the viability of hosting large-scale events in urban parks without robust, joined-up travel strategies. Promoters and city officials may face increased pressure to implement more reliable, dedicated transport solutions for future summer festivals to avoid similar logistical breakdowns.
Frequently Asked Questions
What prompted the recent Liveline discussion regarding CMAT?
The discussion was prompted by CMAT’s declaration that comments regarding her body have tarnished her success.

Why did attendees struggle to leave the St Anne’s Park gig?
Attendees faced a lack of car parks, no special city-centre transport services, and an inability to secure taxis, while scheduled buses failed to stop or appeared fully occupied.
What is the thematic focus of CMAT’s album Euro-Country?
The album is described as a love letter to Ireland that simultaneously offers stinging commentary on the powers and processes that have affected the nation’s culture and economy.
How do you believe cities should balance the excitement of large-scale outdoor concerts with the necessity of reliable public infrastructure?