David Matásek: Nostalgie a budoucnost technologií
Actor Hynek Matoušek is finding new resonance in smaller, more intimate performance spaces, a shift from his long tenure with the National Theatre. His recent role in “Jana bude brzy sbírat lipový květ” (“Jana Will Soon Gather Linden Blossoms”), an adaptation of a poetry collection by Miloš Doležal, exemplifies this change, offering a uniquely close connection with audiences.
A Shift in Scale and Intimacy
Matoušek, whose early career included performing in traveling theaters and smaller venues like Rubín and Řeznická, embraces the adaptability required by different spaces. He notes that the Viola theatre, where he is currently performing, offers a particularly unique atmosphere. Audiences sit at tables with drinks, and a remarkable quiet descends once the performance begins, a level of focused attention he describes as “quite rare these days.”
Embracing Vulnerability and Change
Finding New Depth in Performance
Matoušek believes it’s important to step outside of one’s comfort zone, both personally and professionally. He welcomes the opportunity to surprise audiences and himself, arguing that theatre should offer something different than a simple transaction. He hopes to leave audiences with a “gift” – a new perspective or unexpected emotional resonance.
A New Chapter After the National Theatre
Matoušek voluntarily left the National Theatre last year, a decision he describes as feeling necessary. While he misses his colleagues and the atmosphere of the institution, he felt a need for change and greater control over his artistic direction. He observed that the National Theatre’s structure – three buildings, three companies, and fixed employment contracts – felt unsustainable and hoped for a more flexible system, similar to those found in other European theaters.
Personal Reflections and Growth
Navigating Relationships and Loss
Matoušek speaks openly about maintaining positive relationships with former partners, emphasizing respect and continued support. He has four children with three different women and prioritizes a friendly co-parenting dynamic. He acknowledges the challenges of navigating relationships but believes in maintaining a respectful connection even after separation.
The Importance of Self-Care
Matoušek recently sought therapy to address anxiety and self-doubt, particularly surrounding performances. He acknowledges that admitting vulnerability was a challenge, but ultimately beneficial. He now recognizes the importance of self-compassion and accepting imperfection. He shares that he previously struggled with obsessive tendencies, but therapy has helped him to approach life with more flexibility and less pressure.
Looking Ahead
Matoušek remains active on social media, using it as a platform to challenge stereotypes and present a more nuanced image of himself. He recently shared details about a car accident, emphasizing the role of luck and the fragility of life. He believes that embracing change and remaining curious are essential for continued growth.
Frequently Asked Questions
What kind of performance is “Jana bude brzy sbírat lipový květ”?
It is an adaptation of a poetry collection by Miloš Doležal, a tribute to his late wife, performed in an intimate setting at the Viola theatre.
Why did Hynek Matoušek leave the National Theatre?
He felt a need for change and greater control over his artistic direction, believing the National Theatre’s structure was becoming unsustainable.
What prompted Hynek Matoušek to seek therapy?
He experienced anxiety and self-doubt, particularly before performances, and realised he needed help to address these feelings.
How do you balance the desire for artistic freedom with the practical realities of a performing career?