Itāļu operas vakars Nacionālajā operā | Lente.lv

Riga’s Latvian National Opera (LNO) is set to present a compelling evening of Italian verismo opera beginning February 17th. The program will feature both a new production of Pietro Mascagni’s “Zemnieka gods” (Cavalleria rusticana) and a revival of Ruggero Leoncavallo’s “Pajaci” (Pagliacci). The performances, led musically by Mārtiņš Ozoliņš and directed by Aiks Karapetjans, promise a powerful exploration of passion and tragedy.

A Double Bill of Verismo Classics

The pairing of “Zemnieka gods” and “Pajaci” is a common practice on opera stages worldwide and is particularly valued at the Latvian National Opera. Both operas delve into intense emotional landscapes, featuring love triangles, betrayal, and tragic consequences. The works are known for elevating stories of everyday life with musically rich scores.

“Zemnieka gods”: A Sicilian Tale of Heartbreak

Premiering in 1890, Mascagni’s “Zemnieka gods” unfolds in a Sicilian village. The story centres on Santuca’s heartbreak when her lover, Turidu, becomes enamored with Lola, the wife of Alfio. Santuca’s despair leads her to reveal Lola’s infidelity to Alfio, setting in motion a chain of revenge and tragedy. Mascagni composed the opera quickly for a competition, and it immediately gained immense popularity. It first appeared at the Latvian National Opera in 1904, conducted by Mascagni himself.

“Pajaci”: Tragedy Behind the Masks

Leoncavallo’s “Pajaci,” which premiered in 1892, tells the story of a traveling troupe of comedians. The opera intertwines love and betrayal both within the stage performance and in the private lives of the performers. Canio, the troupe leader, discovers his wife, Neda’s, infidelity, and his heartbreak overwhelms him, blurring the lines between performance and reality, ultimately leading to a violent climax. Aika Karapetjans previously staged “Pajaci” at the Latvian National Opera in 2019.

Did You Know? Pietro Mascagni’s opera “Zemnieka gods” is considered the first Italian verismo opera.

The Creative Team

Director Aiks Karapetjans, also known as a film director, has a successful track record at the Latvian National Opera, including productions of “The Barber of Seville” and “Faust.” His work often explores psychological tension and human passions. He is collaborating with set and lighting designer AJ Vaisbārds, costume designer Kristīne Pasternaka, choreographer Liene Grava, and video artist Artis Dzērve on this production.

Expert Insight: The verismo style, with its focus on realistic characters and raw emotion, demands a high level of performance from both singers and actors. The ability to convey genuine, unvarnished feelings is key to making these operas truly resonate with audiences.

Performances of “Zemnieka gods” and “Pajaci” are scheduled throughout February and March at the Latvian National Opera.

Frequently Asked Questions

What is verismo?

Verismo, which emerged in Italy in the late 19th century, aims to portray realistic characters and life stories in opera, including even the less pleasant aspects of life.

Who is directing this production?

Aiks Karapetjans is directing the production of “Zemnieka gods” and “Pajaci” at the Latvian National Opera.

When did “Zemnieka gods” first appear at the Latvian National Opera?

“Zemnieka gods” first appeared at the Latvian National Opera in 1904, conducted by the composer, Pietro Mascagni.

Will these classic tales of love, loss, and revenge continue to captivate audiences with their enduring emotional power?