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Masters of the Universe’ Composer Daniel Pemberton on Crafting Theme Song

Masters of the Universe’ Composer Daniel Pemberton on Crafting Theme Song

June 6, 2026 discoverhiddenusacom Entertainment

Composer Daniel Pemberton has partnered with Queen co-founder and guitarist Brian May to create a “maximalist” score for the upcoming Masters of the Universe film. The collaboration began after a chance encounter at Abbey Road Studios in London, where May was working on a mastered version of Queen II.

Pemberton, who typically avoids franchise sequels, agreed to the project on the condition that he could craft a sound inspired by ABBA and Queen. Director Travis Knight embraced this vision, seeking a tone that remains faithful to the silly, 1980s spirit of the original live-action film.

The Sound of Eternia

The musical centerpiece of the film is a three-minute ballad titled “Electrica.” This track features a massive ensemble, including a 100-piece choir, an 80-piece orchestra, a rock band, and various synthesizers.

A pivotal element of the recording was Brian May’s Red Special Guitar. Pemberton likened the instrument to the “Sword of Power” from the Masters of the Universe world, describing it as a tool that has brought hope and love to the world.

Did You Know? Brian May’s famous Red Special Guitar was built by the musician as a teenager using repurposed household materials.

A Sincere Approach to the Ridiculous

The film follows the story of He-Man, played by Nicholas Galitzine. Originally a young boy named Adam on the planet Eternia, he returns from the human world to rescue his planet after the evil Skeletor, played by Jared Leto, kidnaps his parents.

To match this narrative, Pemberton composed 35 tracks for the 140-minute film. He describes the score as flamboyant, theatrical, and unashamedly fun, avoiding irony in favour of sincerity.

Expert Insight: Samantha Carter notes that Pemberton’s rejection of the “serious” superhero idiom represents a significant pivot in franchise filmmaking. By embracing the campiness of the source material rather than attempting to “ground” it, the production may be challenging the industry trend established by the dark and gritty tone of the Nolan era.

Breaking the Blockbuster Mold

Pemberton has expressed a desire to move away from the traditional sound of modern blockbusters, which he believes have become less outwardly emotional. He suggests that the current industry preference for seriousness often clashes with the inherently ridiculous nature of superhero characters.

Daniel Pemberton: Masters of the Universe (2026) Theme [Extended by Gilles Nuytens]

While the iconic theme from the original animated show by Shuki Levy, Haim Saban, and Lou Scheimer was considered, Pemberton found it difficult to integrate into the film’s action beats. However, he has teased that fans should listen for it toward the end of the movie.

Future Implications

This approach to scoring could potentially influence how other legacy franchises handle their musical identity. If the “maximalist” and sincere tone of Masters of the Universe resonates with audiences, studios may be more likely to support bold, emotive scores over safer, muted compositions.

Future Implications
Masters of the Universe

the success of this collaboration may lead to more high-profile partnerships between contemporary film composers and legendary rock musicians to evoke specific era-based aesthetics.

Frequently Asked Questions

Who plays the lead roles in the new Masters of the Universe film?
Nicholas Galitzine plays He-Man (Adam), and Jared Leto portrays the villainous Skeletor.

What is the inspiration behind the film’s music?
The score is inspired by the pop-driven sensibilities of the 1980s, specifically drawing influence from Queen and ABBA.

Why was the original animated series theme not used as the primary theme?
Pemberton stated that the original theme was difficult to sustain over longer sequences and did not fit well within the specific action beats of the movie.

Do you prefer superhero movies that take a gritty, serious tone, or those that embrace their campy origins?

Brian May, Daniel Pemberton, Masters Of The Universe, Queen

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