Morrissey Takes “Terrorism” Lyric Out of ‘Make-Up Is a Lie’ Track │ Exclaim!
Morrissey’s upcoming album, Make-Up Is a Lie, due March 6 via Sire Records, is already drawing attention – not for its content, but for a change in lyrics from previously performed versions of one track. The artist, who previously attributed the stalled release of his 2019 album Bonfire of Teenagers to concerns over “criminalized free speech,” appears to have altered a song on the new record, potentially preempting similar issues.
Lyric Alterations and Past Controversies
The song “Notre-Dame,” inspired by the 2019 fire in Paris, features altered lyrics on the album version compared to live performances in 2023. Where Morrissey previously sang, “Before investigations, they said, ‘It’s not terrorism,’” the album version states, “Before investigations, they said, ‘There’s nothing to see here.’”
This change in lyrics is notable given Morrissey’s past statements regarding “controversial” topics. He has previously suggested that concerns over such content led to the shelving of Bonfire of Teenagers.
Implications of the Change
The alteration could be interpreted as a strategic move to avoid potential censorship or pushback from the record label. It’s a possible next step for an artist who has publicly voiced concerns about the suppression of free expression. However, it also raises questions about the artist’s willingness to compromise his artistic vision.
The narrative of “Notre-Dame” itself focuses on the conspiracy theory that the fire was an intentional act of arson. This is a perspective that, while present in the song, may be considered unconventional.
Frequently Asked Questions
What album is “Notre-Dame” featured on?
“Notre-Dame” is featured on Morrissey’s upcoming album, Make-Up Is a Lie.
When is Make-Up Is a Lie scheduled for release?
Make-Up Is a Lie is due out on March 6 via Sire Records.
What was the original lyric in “Notre-Dame”?
In live performances in 2023, Morrissey sang, “Before investigations, they said, ‘It’s not terrorism.’”
How do you think artists should navigate potentially controversial subject matter in their work?