Ramiro Obedman & Madrid Baires Sextet: Tango-Flamenco Fusion in Buenos Aires
A significant musical event is set to unfold in Buenos Aires, Argentina, as Spanish musician and composer Ramiro Obedman brings his Madrid Baires Sextet to the city as part of a larger tour. The performance, scheduled for Sunday, March 8th, will take place at the Bebop Club in Palermo, CABA.
A Fusion of Cultures
Musical Journey
Ramiro Obedman, a flutist and saxophonist and the creator of Camerata Flamenco Project in Spain, will perform alongside percussionist Marcelo Aronson. The project features “invited guests” and promises a unique blend of musical styles. The sextet’s repertoire is described as a journey through tango, flamenco, folklore, and jazz, creating a nuanced and surprising experience.
Repertoire Highlights
The concerts in Argentina will feature both original compositions and special arrangements of existing Argentine and Spanish pieces. Audiences may hear interpretations of “Anda Jaleo” by Federico Lorca and “Años de Soledad” by Astor Piazzolla, alongside original music rooted in flamenco and tango, but also incorporating elements of jazz, funk, and classical music.
What’s Next?
Following the March 8th performance, the Madrid Baires Sextet may continue their tour with additional dates in Argentina. The group will explore further collaborations with local musicians, building on the foundation laid by their partnership with Marcelo Aronson. The success of these initial concerts could lead to future tours and recordings, expanding the reach of their unique musical fusion.
Frequently Asked Questions
Who is Ramiro Obedman?
Ramiro Obedman is a flutist and saxophonist from Spain, and the creator of Camerata Flamenco Project.
Where will the concert take place?
The concert will take place at the Bebop Club in Palermo, CABA, on Sunday, March 8th.
What musical styles will be featured?
The performance will feature a blend of tango, flamenco, folklore, and jazz, alongside original compositions and arrangements of works by Lorca, and Piazzolla.
How might this fusion of musical traditions resonate with audiences familiar with both Argentine and Spanish musical heritage?