Ryoji Ikeda: data-cosm [n°1] – Immersive Data Installation at 180 Studios
A new immersive art installation, data-cosm [n°1], created by Japanese audiovisual artist Ryoji Ikeda, is set to premiere on October 15, 2025. The work, commissioned by 180 Studios, promises a unique sensory experience by transforming complex data from the natural world into a large-scale audiovisual environment.
A Deep Dive into Data
data-cosm [n°1] is described as a “total sensory encounter” that explores the intersection of art and physics. Visitors will be invited to lie down beneath a vast LED ceiling while enveloped in Ikeda’s specially composed soundscapes. The installation aims to chart data across all scales of nature, from the microscopic world of particle physics to the immense scale of astrophysics.
This project builds upon ideas previously explored in Ikeda’s acclaimed data-verse project. Ikeda’s relationship with 180 Studios and The Vinyl Factory dates back to the 2011 premiere of his installation supersymmetry at Brewer Street Car Park in London. In 2021, 180 Studios hosted the largest exhibition of Ikeda’s work to date.
What’s Next for data-cosm [n°1]?
The installation is scheduled to run until December 21, 2025. It is possible that the success of data-cosm [n°1] could lead to further collaborations between Ikeda and 180 Studios. Analysts expect continued interest in immersive art experiences that blend technology and natural phenomena. A possible next step for Ikeda could be adapting the installation for different locations or exploring new datasets.
Frequently Asked Questions
What is data-cosm [n°1]?
data-cosm [n°1] is an immersive art installation by Ryoji Ikeda that transforms data from nature into an audiovisual experience.
When and where will it be available?
The installation will premiere on October 15, 2025, at 180 Studios, located at 6 Surrey Street, London, WC2R 2ND, and will run until December 21, 2025.
Is this Ikeda’s first collaboration with 180 Studios?
No, this installation continues a long history of collaboration, beginning with the premiere of supersymmetry in 2011 and including a large exhibition of his work in 2021.
How might art installations like this shape our understanding of complex scientific concepts?