VideoAge: International TV & Film News Since 1981
For over four decades, a specialized publication has served as a key resource for the international television industry. Since 1981, the trade magazine VideoAge has provided in-depth coverage of the global television landscape, evolving alongside the rapid changes in technology and business practices.
A History of Industry Firsts
VideoAge marked a turning point in 1982 by introducing the concept of “dailies” to television and film markets. These daily publications offered timely updates and insights during major industry events. Currently, VideoAge continues to publish these “Dailies” at NATPE, MIPTV, and MIPCOM, in addition to its regular monthly editions.
Beyond the Industry: A Complex Ecosystem
VideoAge views television not simply as an industry, but as a multifaceted “universe” encompassing a wide range of disciplines. This includes politics, regulations, sociology, psychology, finance, production, distribution, ratings, and the ever-evolving world of technology. The publication aims to demystify complex technological advancements for those without specialized technical knowledge.
The magazine’s offerings extend beyond core industry news. VideoAge also features content like “my2¢,” book reviews, company profiles, and previews and reports from trade shows, festivals, and conferences worldwide.
Digital Accessibility
Since 1997, VideoAge has made its content readily accessible online, allowing readers to access information “at the click of a mouse.” This move to a digital platform broadened its reach and ensured timely delivery of information to a global audience.
Frequently Asked Questions
What is the primary focus of VideoAge?
VideoAge focuses on the international television industry, covering topics from technology and finance to regulations and production.
When did VideoAge begin publishing?
VideoAge began publishing in 1981.
What are “dailies” in the context of VideoAge?
“Dailies” are publications released each day during major television and film markets, providing timely updates and insights.
As the television industry continues to evolve, how might specialized publications like VideoAge adapt to meet the changing needs of their audience?