“How do you keep going if the song never ends?”: A review of the contemporary performance of I Would Prefer Not To
The Evolving Landscape of Mental Health Representation in Performance Art
Contemporary performance art is increasingly turning inward, grappling with complex themes of mental illness, memory, and meaning. A recent example, I Would Prefer Not To, produced by One Yellow Rabbit and starring David Gagnon Walker and Torri Morrison, exemplifies this trend. The performance, reviewed on February 3, 2026, by Rhiannon Evans for The Gauntlet, utilizes a unique structure – a confessional alongside a retelling of Herman Melville’s Bartleby, the Scrivener – to explore the nuances of these challenging subjects.
The Power of “I Would Prefer Not To”
The phrase “I would prefer not to,” central to Melville’s story, resonates deeply with the experience of mental illness. As Walker’s performance illustrates, depression isn’t necessarily a lack of desire to improve, but rather a disabling force that actively hinders action. This mirrors the experience of individuals feeling paralyzed by their condition, a sentiment often difficult to articulate. The performance highlights how this phrase can represent both the internal struggle of someone experiencing mental illness and the frustration felt by those attempting to offer support.
Confessional Storytelling and Empathy
The confessional element of I Would Prefer Not To is particularly noteworthy. By openly discussing experiences with depression, anxiety, and suicidal thoughts, Walker fosters empathy within the audience. This approach aligns with a broader movement in performance art towards vulnerability and authenticity. The review notes that the performance allows audiences to “feel seen,” suggesting a powerful connection is being forged through shared emotional experience.
Blending Art Forms for Impact
Morrison’s portrayal of Bartleby, utilizing puppetry, a funny hat, and a music box, provides a crucial counterpoint to the intensity of Walker’s confessional. This juxtaposition isn’t merely for comedic relief; it offers a different lens through which to view the central themes. The use of childlike elements can make the story of Bartleby more accessible, while simultaneously highlighting the complexities of caring for someone struggling with mental health. This innovative approach to storytelling demonstrates a growing trend in performance art to experiment with form and structure.
The Rise of Mental Health Narratives in Art
The increasing focus on mental health in performance art reflects a broader societal shift. A memoir, I’ll Join Your Cult: A Memoir of Mental Illness and the Quest to Belong Anywhere, also explores these themes, indicating a growing public appetite for narratives surrounding mental health. This demand likely stems from increased awareness and a desire to destigmatize mental illness.
Nuances in Language: “Prefer” vs. “Would Prefer”
Even the language used to discuss preference carries weight. While “prefer” and “would prefer” can often be used interchangeably, “would prefer” typically denotes a specific situation rather than a general preference. This subtle distinction is relevant to the performance, as the characters’ preferences are often tied to the immediate challenges posed by mental illness and the complexities of interpersonal relationships.
FAQ
Q: What is I Would Prefer Not To about?
A: It’s a contemporary stage performance exploring themes of mental illness, memory, and meaning through a combination of confessional storytelling and a retelling of Herman Melville’s Bartleby, the Scrivener.
Q: Who created and stars in the performance?
A: David Gagnon Walker and Torri Morrison created and star in I Would Prefer Not To, produced by One Yellow Rabbit.
Q: What is the significance of the phrase “I would prefer not to”?
A: The phrase represents both the internal struggle of someone with mental illness and the challenges faced by those trying to support them.
Q: Where can I find more information about One Yellow Rabbit?
A: You can visit their website at oyr.org.
Did you know? Herman Melville’s Bartleby, the Scrivener was written in 1853, yet its themes of alienation and passive resistance continue to resonate with audiences today.
Pro Tip: Engaging with art that explores difficult topics like mental illness can be emotionally challenging. Remember to prioritize self-care and seek support if needed.
We encourage you to explore other performances and artistic expressions that tackle important social issues. Share your thoughts and experiences in the comments below!