Rheology’ review: Theoretical physics meet experimental art at REDCAT
Shayok Misha Chowdhury, an experimental theater artist and 2024 Pulitzer Prize finalist, is collaborating with his mother, Bulbul Chakraborty, a Brandeis University theoretical physicist, on the interdisciplinary play “Rheology,” which explores the theme of loss. The production, currently in its West Coast premiere at REDCAT, runs through Saturday and examines how material science and personal grief intersect. Chakraborty’s physics lesson on sand’s dual nature as solid and liquid serves as a metaphor for the emotional dynamics between the pair, who are preparing for the inevitability of her aging.
“Rheology” is staged by the Bushwick Starr, HERE Arts Center, and Ma-Yi Theater Company, blending scientific inquiry with theatrical performance. Chakraborty, who has researched soft condensed matter, uses an onstage sandbox to illustrate how sand behaves under stress, a concept central to the play’s exploration of resilience. The production also includes moments of personal reflection, such as Chowdhury adopting the role of a grieving Bollywood widow to process his anticipated reaction to his mother’s death.
What is “Rheology”?
The play “Rheology” combines a physics lesson on sand’s properties with a deeply personal narrative about loss. Bulbul Chakraborty, a Brandeis University professor, begins the performance by questioning whether sand is a liquid or solid, engaging the audience in a Socratic dialogue. Her research into soft condensed matter—materials that exhibit both solid and liquid characteristics—forms the scientific backbone of the piece. The production also features moments of theatrical experimentation, such as Chowdhury directing his mother through a death scene with cello accompaniment, reflecting their shared preparation for her mortality.
Why does it matter?
The collaboration between Chowdhury and Chakraborty highlights the intersection of art and science in addressing existential themes. Their work underscores how interdisciplinary approaches can provide new frameworks for understanding grief. Chakraborty’s scientific rigor is juxtaposed with her emotional vulnerability, as she recounts her own experiences of separation from her young son, which mirrors their current dynamic. The play’s blend of empiricism and surrealism, including songs by Rabindranath Tagore and Bangla deathbed dialogues, expands its emotional and cultural scope.
What may happen next?
The production’s brief run at REDCAT suggests a focus on intimate, localized engagement rather than broad touring. Chowdhury’s future projects could further explore the fusion of personal narrative and scientific concept, while Chakraborty’s research may continue to influence artistic collaborations. The play’s success could inspire similar interdisciplinary works, though no official announcements about future performances or expansions have been made.
Frequently Asked Questions
What is the subject of “Rheology”? The play explores loss through the intersection of physics and personal experience, using sand’s properties as a metaphor for emotional resilience.
Who are the creators of “Rheology”? Shayok Misha Chowdhury, an experimental theater artist and Pulitzer Prize finalist, and his mother, Bulbul Chakraborty, a theoretical physicist at Brandeis University.
Where is “Rheology” being performed? The play is at REDCAT, 631 W. 2nd St., downtown L.A., with performances on Friday and Saturday evenings through its closing date.
How might this blend of science and art influence future creative projects in similar fields?