Ballet Jazz Montréal’s La revue finale: A Darkly Joyful Dance Review

Ballets Jazz Montréal’s ‘La revue finale’: A Shift Towards Existential Themes in Contemporary Dance

Ballets Jazz Montréal (BJM) is currently captivating audiences with “La revue finale,” a collaboration with Norwegian choreographer Jo Strømgren. This production, initially unveiled at the Festival des Arts Saint-Sauveur in 2025, marks a notable departure for the company, blending vibrant celebrations of life with explorations of mortality and existential dread. The piece, performed at Danse Danse at Place-des-arts, is garnering attention for its unique juxtaposition of joy and darkness.

The Rise of Darker Narratives in Contemporary Dance

For years, BJM has been known for its energetic and upbeat performances. However, “La revue finale” signals a broader trend within contemporary dance: a willingness to confront complex and often unsettling themes. This shift reflects a cultural appetite for art that doesn’t shy away from difficult questions about life, death, and the human condition. Alexandra Damiani, BJM’s artistic director since 2021, may be influencing this change.

Strømgren’s work, recognized across Europe and his native Norway, consistently explores the absurd and the humane. His approach, as demonstrated in “La revue finale,” challenges audiences to grapple with uncomfortable truths. The production’s narrative – a recently deceased young man observing life from beyond the grave – provides a framework for examining these themes.

Blending Genres and Musical Eclecticism

“La revue finale” isn’t just thematically bold; it’s also musically diverse. The choreography incorporates a wide range of musical styles, from Charles Aznavour to Latin American rhythms and even the soundtrack from The Last of Us, composed by Gustavo Santaolalla. This eclectic mix enhances the emotional impact of the performance and reflects a growing trend in contemporary dance to break down genre boundaries.

The use of familiar music, sometimes distorted or recontextualized, adds another layer of meaning. The echoing and distortion of an old song during a “living dead” ensemble routine, for example, creates a chilling effect, evoking imagery of fungal hive minds and societal breakdown.

Choreography as a Reflection of Societal Anxieties

The choreography itself is a key element in conveying the production’s themes. Strømgren’s routines range from elegant duets to high-energy nightclub scenes, each designed to evoke specific emotions and ideas. The medieval-style funeral procession, reminiscent of Marie Chouinard’s work, adds a visual layer of somber reflection.

The climactic sequence, building from subtle movements to a spectacular flourish, represents a cathartic release of energy and emotion. This demonstrates how contemporary dance is increasingly used as a vehicle for processing and expressing collective anxieties.

Audience Reception and the Future of BJM

Early reactions to “La revue finale” have been overwhelmingly positive, with audiences praising its emotional depth and innovative choreography. Even those unfamiliar with contemporary dance, like one attendee’s 20-something son, have found the performance captivating. This suggests that BJM’s willingness to take risks is paying off.

The success of this production could pave the way for further experimentation and thematic exploration within the company. It also highlights the growing demand for contemporary dance that is both intellectually stimulating and emotionally resonant.

Frequently Asked Questions

Did you know? Jo Strømgren has created over 200 productions in more than 65 countries.

What are your thoughts on the increasing exploration of darker themes in contemporary dance? Share your opinions in the comments below!